Until the moon becomes the skinning knife

en Until the moon becomes the skinning knife, 2023  Κάρβουνο σε ξύλο 0,80μ x 1,30μ Στο έργο Until the moon becomes the skinning knife καιμεαφορμήτηνέκθεση ‘‘Ο εφιάλτης της Περσεφόνης’’, γίνεται μια αναφορά σε όλη αυτή την ανεξέλεγκτη επέμβαση του ανθρώπου στο φυσικό τοπίο και κατ’ επέκταση στο ίδιο το περιβάλλον. Η ανεξέλεγκτη δόμηση, η χρήση…

But no sleep runs this deep

en But no sleep runs this deep, 2023 2023, 1,44 x1,80m digital drawing The art practice of Kostas Pappas, through his drawings, breaches our relationship with the flow of time and the stability of space. In But no sleep runs this deep, which introduces us to a new series of drawings, the boundaries between natural…

Hold back the night

en Hold back the night, 2021 Κάρβουνο σε χαρτί 1,20 μ. x 2,23 μ. Ξύλινη πινακίδα, πλάκες πορομπετόν, μπετόβεργες, λάμπες φθορίου. Διαστάσεις μεταβλητές. Η εγκατάσταση Hold back the night συνδιαλέγεται με κατεργασμένα και ακατέργαστα υλικά και στοιχεία ενός αστικού τοπίου που ενεργοποιούνται διαμέσου μιας φωτιστικής συνθήκης. Πρόκειται για την ερμηνεία ενός τόπου που διαμορφώνεται σχεδιαστικά…

Litost

en LITOST The T.S. Eliot-inspired landscapes by Kostas Pappas could aptly be described by the title The Waste Land. They evoke a land that is dead, a city that is unreal, rather than merely terrible. Looking at his drawings, one cannot help but feel that these landscapes do not exist in reality. They are uninhabited, desolate…

What is the late November doing

en The installation What is the late November doing, consists of colorful lights coexisting with objects, absent images and notes, in an attempt to interpret a condition of abandonment. Based on a line of sketches focusing on the modern internal exile that people experience as a disastrous condition, this installation extends this journey, talking about…

April is the cruelest month

en April is the cruelest month For many years, Kostas Pappas investigates and introduces us to metaphysical landscapes which are sensory rather than merely imprints. He focuses on the feeling of anticipation; the expectations that accompany such a feeling, its deterministic dubiousness; in cities that were never completed although they became part of the development…